Learning from negative examples

I recently attended a lecture on writing. It was a memorable hour and a half that reinforced several lessons I had learned about writing and public speaking.

Lesson 1. Be prepared

The speaker had no notes and did not appear to have prepared at all for the talk. In the world of public speaking, winging it is never a good idea. The best “extemporaneous” talk you’ll ever hear has been meticulously prepared and practiced.

Lesson 2. Actually speak on what you’re assigned

In the talk I attended, the speaker said virtually nothing relating to the publicized topic. The vast amount of time was spent reading one of his own stories.

Lesson 3. Be an interesting reader

Mumbling, monotone speaking, and stumbling over your own writing is uninteresting. Read the material often enough that you can leave the page from time to time to connect with your audience. Keep potential readers engaged.

Lesson 4. Write well

The story read on that fateful night was subpar (to be polite). It stumbled from topic to topic with no real purpose, moral, or conclusion. Rambling is not writing.

Lesson 4. Never censor your own work

The speaker’s opening remarks dealt with the fact that he has recently thrown out several stories and rewrote others because he worried that his emotional experiences might be less important than those of women, gays, and people of color. He was just an old white guy who maybe needed to shut up and let underrepresented groups have the floor. It is important to remember that Dickens, Hemingway, Twain, Browning, Frost, King, Shakespeare, and Ian Fleming were white guys, and our lives and our language are richer because of them. If you think something is important or meaningful enough to write, there is an audience that will appreciate it. Only throw out the crap.

In closing, negative examples serve a purpose. They encourage us in many ways, reinforcing lessons and showing us that our work might be better than we thought.

 

 

I recommend John McManus

I had the pleasure of hearing award-winning author John McManus speak at a library event a few months ago. It inspired me to read his Fox Tooth Heart collection of short stories. Wow!

First off, be ready for something completely different. McManus delves deep into his mind and pulls out all the stops; those barriers we put up to keep the Id at bay. He forgoes traditional story lines and delves into the deep psychology of the perverse and disturbed. Some may find the story lines disturbing, but I assure you it will be unlike anything you’ve read before.

Be prepared for great writing. There is little wasted exposition or description. Each of the punchy, almost stream of conscious sentences has utility somewhere either before or after they are uttered. I found myself reading past my intended stopping point just to keep hearing the writing in my head.

Be prepared for reflection. I found myself thinking about each story long after it was read. His stories leave a lasting impression.

I recommend him.

 

 

Podcasts and reviews--perfect together!

Hi All,

Had a very enjoyable podcast last week with Andrew Stamper exploring thriller movies, with a focus on Three Days of the Condor with Robert Redford. I’ll post a link when it becomes available.

Here are links to two recent podcasts you may enjoy, including Talking Codswallop with James Stafford from the UK.

https://thequidditasfactor.buzzsprout.com

https://www.podbean.com/media/share/pb-cjrjm-12a0ff7?utm_campaign=w_share_ep&utm_medium=dlink&utm_source=w_share

Four podcasts are scheduled for next week and I’m always ready to do more. If any of you know a podcaster looking to discuss thriller writing or writing in general, please pass on my contact info. johnb@thrillerjohnb.net.

I’m thirteen thousand words into the sequel to Project Suicide. No title yet, so if anyone can think of something other than Project Suicide 2 I’d be interested in hearing it. 😊 All I can tell you right now is that Amy and Deacon are reunited, and they face a new threat from weaponized 606.

The book-club talk is coming up fast. If you’re in the Knoxville area September 8 and want to hear me speak about Project Suicide, just let me know. If you know of any other book clubs or stores in eastern Tennessee that might be amenable to a book signing or reading, likewise let me know.

Checkout Time went off to the publisher last week. I’m looking forward to hearing comments from Paul and Doug. I’ll keep you all apprised.

I’m up to sixteen five-star reviews (yeah), four of them verified purchasers. However, I’m still looking for many more. Even if you were gifted the book (especially if you were gifted a signed copy) I’m counting on your review. Once I get into the 30-40 range, Amazon will put me on the lists they send out to customers, which would be huge. Reviews are easy and don’t take much time. Just click on www.projectsuicidenovel.com and go to the bottom past the other reviews to the tab “Write a review.” Please give it a rating and a few lines. I’d consider it a big favor.

Thanks and stay tuned!

John Bukowski

Johnb@thrillerjohnb.net

PS. If you know anyone who might enjoy following my writing journey, please forward them this link so they can sign up: https://tremendous-motivator-8914.ck.page/95736090a5

 

I'm doing more pods than Invasion of the Body Snatchers!

Hi All,

Just finished my third podcast in two days. This one was the Drunken Housewife, where I and the delightful Ian and Sarah Kennedy discussed Project Suicide, my writer’s journey, theater, and more. It was a hoot. Before that, it was Michael on Beside the Lamp, and Todd Schowalter on The Right Mind. I’ll publicize air dates when available.

Don’t forget about the upcoming book club talk on September 8. If you’re in the Knoxville area and want to hear me speak about Project Suicide, just let me know. I’ll also be signing copies and will have a few for sale.

Checkout Time has moved into the technical edit stage. When that’s done, it’s off to my publisher and his editor to get drummed into shape for publication. I’ll keep you all apprised.

I’m hoping to hear back soon on several short stories I’ve submitted to magazines, anthologies, and contests. Keep your fingers crossed.

I’m still looking for more book reviews. You can easily post them by clicking on   www.projectsuicidenovel.com and going to the very bottom of the Amazon page. Please give it a rating and a few lines. People often base their buying decisions on number and quality of reviews.

Thanks and stay tuned!

John Bukowski

Johnb@thrillerjohnb.net

PS. If you know anyone who might enjoy following my writer’s journey, please forward them this opt in link. https://tremendous-motivator-8914.ck.page/95736090a5

 

If drama is conflict, then the human condition offers fertile ground for writers

I really used to like Star Trek the Next Generation. Still do. Gene Roddenberry built a world where strife had been removed. People didn’t struggle for money, food, or power. There was no jealousy or greed. Yet, every episode dealt with some elements of these. Why? Because drama is conflict, and conflict is human nature.

Human beings come with great virtues and great flaws. Lately, it has become fashionable to suggest that the flaws only apply to certain groups or certain times. But history teaches that human nature transcends time, space, race, and ethnicity. While it is true that North America had slavery, so did Islamic Africa, Incan South America, and (to an extent) Eastern Europe. Racism was present in KKK members, Indian brahmans, Nazi stormtroopers, and soldiers of the Japanese empire. The Boers persecuted the Zulu just as the Zulu viciously conquered their neighbors. Cortez brutally conquered Mexico, just as the Aztecs did centuries before. Copious blood gets spilled today on the streets of Odessa and those of Chicago. Whatever the time or society, there are always those greedy for power, money, or revenge. Always some person or group thinks they know the way and that all others should be forced to follow. That was and is the dark side of human nature.

All this is grist for the writer’s mill. We can try and write around it, pretend racism, greed, violence, lust, and thirst for power no longer exist, or only exist in certain groups or peoples. But if we do, we risk losing the basic truthfulness that is at the heart of good writing.

Readers are human (most of them anyway 😊). As human beings, they are drawn to strong emotions such as violence and unbridled passion. Characters like James Bond, Jack Reacher, and Rambo are popular because they are violent men of action. Christian Grey has appeal because of his carnal appetites. Serial killers like Hannibal Lecter are fascinating because they tap into that dark half of human nature. To paraphrase Stephen King, writers must let that dark-half beast out of the cage. If not, the work itself will be constrained and unauthentic.

As writers, we mustn’t censor ourselves. We mustn’t become so obsessed with not offending that we create watered-down, unrealistic characters and events. We mustn’t rewrite history to fit modern sensibilities. We mustn’t build bland worlds devoid of human frailty and human greatness. We mustn’t demonize one group in order to idolize another. We need to show the whole of human character, warts and all. To do so should not be thought of as offensive, crude, or unfeeling. It is simply truthful writing. For, although it may be fiction, it must maintain universal truth at its core. And what could be truer or more universal than human nature.

 

I'm going to be on a cinema podcast in September.

Hi All,

I’m going to be on the Andrew Stamper Cinema Podcast in September. We’ll be taping in early August. Given that I’m a thriller writer, we’re going to be discussing one of my favorite thriller movies: Three Days of the Condor. If you haven’t seen it, it’s directed by Sidney Pollack and stars Robert Redford and Faye Dunaway. Definitely four-star fare from 1975.

It’s a political thriller (almost a technothriller) based on the book Six Days of the Condor by James Grady. So, it should be a good tie-in to Project Suicide. Like Deacon Creel, the protagonist, Joe Turner, is caught holding a political hot potato, with nefarious forces trying to kill him. Turner is also a very smart guy, although not quite the genius of a Deacon Creel.  

Anyway, it’s a great movie and should be fun to chat about. As you know, I love talking cinema.

I’ll keep you apprised about the actual airtime in September.

Stay tuned!

Did Atticus Finch fail Tom Robinson?

Project Suicide has been out a month and is doing well. If any of you haven’t had a chance to read it, you can download or get a print copy at www.projectsuicidenovel.com. If you do read it, please review on Amazon.

On another topic, I’m a big fan of Gregory Peck, and of course, To Kill a Mockingbird. Peck gave a brilliant, Oscar-winning performance. But I actually enjoyed the Atticus Finch character more in the novel. To me, the book Atticus was more human, less the saintly figure painted by the movie.

One thing that always bothered me about both novel and movie was “Why did Tom lose his case?” The underlying answer is racism, which is the point of both book and movie. But didn’t Atticus know he was up against that? And faced with that knowledge, did he choose the best defense strategy?

Early in my fiction-writing career, I addressed this issue in a short piece that is a little bit essay, a whole lot short story. If you send me an email (johnb@thrillerjohnb.net) I’ll be happy to send you a copy..

Stay tuned!

John Bukowski

PS. If you know anyone who might enjoy following my writer’s journey, please forward them this link https://tremendous-motivator-8914.ck.page/95736090a5

 

Research doesn't need to be rocket science.

I’ve watched quite a few podcasts, webinars, and blog posts about writing and marketing fiction. Almost all have been informative and well done, the speakers organized and polite. But they are not always as entertaining as they could be. They sometimes lack humor or interesting/humorous stories and anecdotes.  And I always seem to learn more when also entertained.

In that vein, I’m putting together entertaining material about what I’ve learned researching for fiction. As most of you know, I had a long research career that blended into medical writing. During this evolution, I learned to translate technical material into information that is both interesting and understandable to diverse audiences without (and this is key) overwhelming them. This has served me well not only writing technothrillers, but in all types of fiction. Little details about a location, police procedure, or even how to start a tractor add a touch of spice that lends authenticity.  

My goal in putting together My Top Six Tips on Effectively Researching your Novel will codify some of what I learned in an entertaining way. Hopefully, I will be able to spread the word in podcasts, webinars, and blogs.

Stay tuned!